Contemporary Russian cinema: the quest for social meaning

4026

Abstract

This period is characterized by a certain ambiguity in the perception of people to film production, particularly domestic. Understanding the cinematography as a product of culture in conditions of the market economy has become a reference point for rethinking the entire domestic cinematographic process and its values, which outlines the new socio-cultural development concept. The article deals with the problems that affect the modern Russian cinema, cinema and mutual society, the search for social meaning in the cinema and the need to end the country's cultural crisis. The appearance of positive moments in the modern development of the film industry, paying special attention to the cinematography by the government, they support their national film industry.

General Information

Keywords: Cinema, art, modern cinema, the Russian film industry, social and cultural development, the film industry, sociocultural issues, the interaction of society and cinema, cultural crisis.

Journal rubric: Intercultural Communication and Problems of Globalization: Psycho-, Socio- and Ethnolinguistics

For citation: Marysheva A.I., Osmanova A.N. Contemporary Russian cinema: the quest for social meaning [Elektronnyi resurs]. Âzyk i tekst = Language and Text, 2014. Vol. 1, no. 4, pp. 60–66. (In Russ., аbstr. in Engl.)

References

  1. Bakulev G.P. Massovaja kommunikacija: zapadnye teorii i koncepcii. – M.: Aspekt Press, 2005.
  2. Bondarenko E.A. Puteshestvie v mir Kino. – M.: OLMA-Press Grand, 2003.
  3. Kagan M.S. Vvedenie v istoriju mirovoj kul'tury. / M.S.Kagan.- SPb.:Petropolis, 2003.
  4. Kinematograf v poiskah Drugogo // Kinozhurnal «Seans». – 2013.
  5. Kinematograf – zerkalo ili molot?  / Pod obshh.redakciej M.I.Zhabskogo. – M.: Kanon+ROOI «Reabilitacija»., 2010.
  6. Levin A.I. Kinoiskusstvo kak faktor formirovanija sistemy cennostej sovremennogo obshhestva / Levin A.I. // Filosofskie nauki. - 2004. - №1.
  7. Lotman Ju. Semiotika kino i problemy kinojestetiki // Tallin: Jejesti Raamat, 1973.
  8. Merlo-Ponti M. Kino i novaja psihologija. / Per. s fr., — Minsk, 2006.
  9. Razlogov, K.Je. Iskusstvo jekrana: ot sinematografa do Interneta / M.: ROSSPJeN, 2010.
  10. Fenomen massovosti kino/ Pod obshh.redakciej M.I.Zhabskogo. – M.: NIIK.- 2004.
  11. Frejlih S. I. Teorija kino: Ot Jejzenshtejna do Tarkovskogo. – 6-e izd. - M.: Akademicheskij proekt; Fond «Mir», 2009.
  12. Hrenov N.A. Zrelishha v jepohu vosstanija mass. – M.: Nauka, 2006.

Information About the Authors

A. I. Marysheva, 1st year student MGPPU, e-mail: nastasia-marysheva@rambler.ru

A. N. Osmanova, 1st year student MGPPU, e-mail: asyaosm@Mail.ru

Metrics

Views

Total: 1815
Previous month: 3
Current month: 6

Downloads

Total: 4026
Previous month: 9
Current month: 11