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Publisher: Moscow State University of Psychology and Education

ISSN (online): 2312-2757

DOI: http://dx.doi.org/10.17759/langt

License: CC BY-NC 4.0

Started in 2014

Published quarterly

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Dostoevsky and the post-war Italian society: Bertolucci's "Partner"

Litvin E.A., Lecturer of the Chair "Linguodidactics and intercultural communication” department, MSUPE, Moscow, Russia
Abstract
The article analyzes some aspects of the film “Partner” by Bernardo Bertolucci, his connection with the story of F.M. Dostoevsky's "Twin" and reflection in it of the events of 1968 and the sociopolitical situation in Italy of the second half of the 20th century.

Keywords: Dostoevsky, Bertolucci, Italian cinema, Italian culture, 1968.

Column: World Literature. Textual Criticism

DOI: http://dx.doi.org/10.17759/langt.2018050404

Funding

Работа выполнена при поддержке Российского фонда фундаментальных исследований (РФФИ, проект № 18-012-90034 «Достоевский и Италия»).

For Reference

References
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  3. Kadyrov I.M. «Dvojnik» F.M. Dostoevskogo: popytka psihoanaliticheskoj interpretacii // Konsul'tativnaya psihologiya i psihoterapiya. 2002. № 1. S, 120-140.
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  8. Bohne Luciana. Bernardo Bertolucci by Robert Phillip Kolker. Review by: Luciana Bohne // Film Criticism. Vol. 10, No. 2, Book Review Issue (Winter, 1985-86), pp. 9-15
  9. Loshitzky Yosefa. The Radical Faces of Godard and Bertolucci. Detroit: Wayne State University Press, 1995. 286 p.
  10. Ungari Enzo. Scena madri. Milan: Ubulibri, 1982.
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