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Publisher: Moscow State University of Psychology and Education

ISSN (online): 2312-2757


License: CC BY-NC 4.0

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Theme Memento mori in the poetry of V.F. Odoevskiy 539


Dergacheva I.V.
Doctor of Philology, Associate Professor, Professor of the Department "Linguodidactics and Intercultural Communication" of the Institute "Foreign Languages, Modern Communications and Management", Moscow State University of Psychology & Education, Moscow, Russia

Sasim A.S.
master degree student, "Linguodidactics and Cross-cultural Communication" departament, MSUPE, Moscow, Russia

V.F. Odoyevsky sensitively sensed the binary oppositions of the material and transcendent worlds, continued in his work the philosophical comprehension of the themes of Memento mori and Vanitas. This article presents an analysis of thanatological discourse in the first Russian philosophical novel "Russian Nights", which includes fantastic stories, thoughts on eternal themes, and stories based on real events from Russian life.

Keywords: thanatological discourse, binary oppositions, Memento mori, Vanitas, Dance of Death, sin, last hour

Column: World Literature. Textology


For Reference

  1. Dergacheva I.V. Drevnerusskij Sinodik: issledovaniya i teksty / Pamyatniki drevnerusskoj mysli: issledovaniya i teksty. Vyp. VI. M.: «Krug"», 2011.
  2. Dergacheva I.V. «Ustroenie dushi» kak osnovnaya dominanta soznaniya avtorov vkladnyh, dannyh i duhovnyh [Elektronnyj resurs] // Yazyk i tekst. 2016. Tom 3. № 3. pp. 11–17. doi:10.17759/langt.2016030302
  3. Dostoevskij F.M. Polnoe sobranie sochinenij. L.: «Nauka», 1976. T. 14.
  4. Odoevskij V.F. Russkie nochi / Literaturnye pamyatniki. M.:L.: «Nauka», 1975.
  5. Severnaya lira na 1827 god.  / literaturnye pamyatniki. M.: «Nauka», 1984.
  6. Tolstoj L.N. Sobranie sochinenij v vos'mi tomah. T. 4. CH. 1. M.: «Leksika», 1996.
  7. Scaramella P., Tenenti A., Aurigemma M.G., Ghiraldo M., Merlo E.Z., Bilinbachova T. Humana Fragilitas. I temi della morte in Europa tra Duectnto e Settecento / A cura di Alberto Tenenti. Clusone, 2000.

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