Theme Memento mori in the poetry of V.F. Odoevskiy

Dergacheva I.V.; Sasim A.S.

doi:10.17759/langt.2017040408

Language and Text - №4 / 2020 | Перейти к описанию

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Language and Text

Publisher: Moscow State University of Psychology and Education

ISSN (online): 2312-2757

DOI: https://doi.org/10.17759/langt

License: CC BY-NC 4.0

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Language and Text
2017. Vol. 4, no. 4, 119–123
doi:10.17759/langt.2017040408
ISSN: 2312-2757 (online)

Theme Memento mori in the poetry of V.F. Odoevskiy ⁵⁰⁶

Dergacheva I.V.
Doctor of Philology, Professor, Moscow State Institute of Culture, Moscow, Russia
e-mail: dergachevaiv@mgppu.ru

Sasim A.S.
master degree student, "Linguodidactics and Cross-cultural Communication" departament, MSUPE, Moscow, Russia
e-mail: sasimanna@outlookl.com

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V.F. Odoyevsky sensitively sensed the binary oppositions of the material and transcendent worlds, continued in his work the philosophical comprehension of the themes of Memento mori and Vanitas. This article presents an analysis of thanatological discourse in the first Russian philosophical novel "Russian Nights", which includes fantastic stories, thoughts on eternal themes, and stories based on real events from Russian life.

Keywords: thanatological discourse, binary oppositions, Memento mori, Vanitas, Dance of Death, sin, last hour

Column: World Literature. Textual Criticism

DOI: https://doi.org/10.17759/langt.2017040408

For Reference

Dergacheva I.V., Sasim A.S. Theme Memento mori in the poetry of V.F. Odoevskiy [Elektronnyi resurs]. Âzyk i tekst = Language and Text, 2017. Vol. 4, no. 4, pp. 119–123. doi:10.17759/langt.2017040408. (In Russ., аbstr. in Engl.)

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