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Publisher: Moscow State University of Psychology and Education

ISSN (online): 2312-2757

DOI: https://doi.org/10.17759/langt

License: CC BY-NC 4.0

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The Peculiarities of the Reception of the Literary Works of F.M. Dostoevsky in the European Cinematography of the 1 st Third of the XXth Century (on the Example of the German and Italian Cinematography) 81

Mikhaylova M.V.
PhD in Philology, Associate Professor of the Department of Linguistics, Moscow State Institute of Culture, Moscow, Russia

Abstract
The article discusses the main features of the interpretation of the works of F.M. Dostoevsky in the German and Italian cinematography of the 1st third of the XXth century. The author explores the films of the era in question, based on the works of F.M. Dostoevsky, in the context of the history of the development of European cinema. The specification of the reception of the writer's literary works in the era of silent cinema is characterized, the ability to convey the psychologism of the literary works and the peculiarities of the characters of the heroes without dialogues is investigated.

Keywords: F.M. Dostoevsky, German cinema, Italian cinema, silent cinema, the reception of literary works

Column: World Literature. Textual Criticism

DOI: https://doi.org/10.17759/langt.2019060404

For Reference

References
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  11. Zwischen Berlin und Paris» zeigt zentrale Werke des russischen Filmexils in den 1920er Jahren // [Elektronnyi resurs] URL: https://www.filmportal.de/nachrichten/ zwischenberlin-und-paris-zeigt-zentrale-werke-des-russischen-filmexils-in-den-1920er
 
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