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Social Psychology and Society

Publisher: Moscow State University of Psychology and Education

ISSN (printed version): 2221-1527

ISSN (online): 2311-7052

DOI: https://doi.org/10.17759/sps

License: CC BY-NC 4.0

Started in 2010

Published quarterly

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Digital mind: mediatization of social cognition in culture, science and art 362

Khoroshilov D.A.
PhD in Psychology, Senior Research Associate, Department of Social Psychology, Faculty of Psychology, Lomonosov Moscow State University, Moscow, Russia
e-mail: d.khoroshilov@gmail.com

Abstract
Psychology of social cognition as the construction of the image of the social world requires addition of the concept of deep mediatization (N. Couldry, A. Hepp). In the frames of modern sociology and cultural-historical psychology it should be talked about the mediatized construction of the image of the world, mediated by the language of mass communication. The code of media language — not verbal, but visual — is analyzed in the epistemological and methodological contexts of the visual turn in the humanities. The realization of this trend in Russian psychology is the aesthetic paradigm of the everyday life (T. Martsinkovskaya, M. Guseltseva, D. Khoroshilov). Its main idea is the comparative analysis of the languages of the scientific concepts and art and media images, what allows to explicate visibility optics of the everyday life in the modern society. The article concludes with the aesthetics and psychological explanation of the phenomena of deep mediatization of social cognition from Nicola Gogol to the popular TV series «Black mirror».

Keywords: deep mediatization, social cognition, image of social world, visual turn, aesthetic paradigm

Column: Theoretical Research

DOI: https://doi.org/10.17759/sps.2019100402

For Reference

Funding

The research was supported by the Russian Foundation for Fundamental Research, project 19-013-00612 “Cross-cultural analysis of personal and situational determinants of coping with difficult life situations”.

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