Russian Literature at the Italian language lessons. "White nights" of Dostoevsky and Visconti

 
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Abstract

The article contains a comparative analysis of the Dostoevsky`s novel “White nights” and its film adaptation made by Luchino Visconti. It also contains didactic materials that let use the novel and its adaptation at an Italian language lesson. The lesson is meant for Russian-speaking students of intermediate or upper-intermediate level of Italian.

General Information

Keywords: Marina Mnishek, historical assessments, folktales and epic poems, Evil Spirit

Journal rubric: World Literature. Textology

OpenAlex citations: 1

OpenAlex trends: Linguistic Studies and Language Acquisition, Italian Literature and Culture

Information about the work in OpenAlex

Number of citations: 1

Topics

Linguistic Studies and Language Acquisition

This cluster of papers focuses on the compilation, annotation, and analysis of spoken language corpora in Italian and Portuguese, with a particular emphasis on prosody, pragmatics, and information structure. It also delves into linguistic annotation, language teaching, and cross-linguistic analysis.

Number of works: 156007  |  Total number of citations: 212438

Topic detailsв OpenAlex

Italian Literature and Culture

This cluster of papers covers a wide range of topics including cultural studies, innovation in humanities and social sciences, architectural competitions, climate change, media and communication, identity, urban planning, literature, ethnobotany, and emotional intelligence.

Number of works: 138760  |  Total number of citations: 77342

Topic detailsв OpenAlex

Work details in OpenAlex

Article type: scientific article

DOI: https://doi.org/10.17759/langt.2018050305

Published

For citation: Litvin, E.A. (2018). Russian Literature at the Italian language lessons. "White nights" of Dostoevsky and Visconti. Language and Text, 5(3), 38–45. (In Russ.). https://doi.org/10.17759/langt.2018050305

© Litvin E.A., 2018

License: CC BY-NC 4.0

References

  1. Garvardt E.V. Proizvedeniya F. M. Dostoevskogo v sovremennoj kul'ture: literaturnyj tekst i tekst kinematograficheskij, k voprosu o probleme perekhoda. Vestnik Omskogo universiteta, 2012, № 1. S. 245-251.
  2. Orlova N.H. Russkaya literatura v ital'yanskom kinematografe. Vestnik TPGU, 2015, № 5 (158). S. 164-170.
  3. Plahov A. Morok belyh nochej. Seans, 16 sentyabrya 2016 g. EHl; publ. Poslednee obrashchenie – 7 oktyabrya 2018 g. https://seance.ru/blog/notti-bianche/
  4. Fedoseenko N.G. Belye i ne belye nochi: ehkranizaciya povesti F. M. Dostoevskogo i problemy nacional'nogo mentaliteta. Koncept, 2016, № 9. S. 1-6.
  5. SHCHetinina E.V. Hudozhestvennaya interpretaciya proizvedenij F. M. Dostoevskogo v sovremennoj massovoj kul'ture. Vestnik Omskogo universiteta, 2011, № 1. S. 209-214.
  6. Burry Alexander. Introduction – Filming Russian Classics – Challenges and Opportunities // Alexander Burry, Frederick. H., White, ed. Border Crossing: Russian Literature into Film. Edinburgh, 2016. Pp. 1-16.
  7. Meyer Ronald. Dostoevskii`s “White Nights”. The Dreamer Goes Abroad // Alexander Burry, Frederick. H., White, ed. Border Crossing: Russian Literature into Film. Edinburgh, 2016.  Pp. 40-63.
  8. Pullini Giorgio. Le notti bianche: da Dostoevskij a Visconti. Studi Novecenteschi, Vol. 35, No. 75 (gennaio - giugno 2008), pp. 221-230.

Information About the Authors

Evgeniya A. Litvin, Lecturer of the Chair "Linguodidactics and intercultural communication” department, MSUPE, Moscow, Russian Federation, e-mail: evgenya.litvin@gmail.com

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