Skip to Main Content

Cultural-Historical Psychology
2008. Vol. 4, no. 1, 83–94
ISSN: 1816-5435 / 2224-8935 (online)

On the Perception and Depiction of Three Essential Characteristics of Objects

956

J.B. Deregovski

PDF (RUS)
Online translation in english
GS
Information
in Google Scholar

Abstract

The article focuses on three types of perceptive characteristics which represent single soltd objects and can be used as their depictions. These characteristics are the following: 1) typical contours, 2) eyespots, and 3) central axes. The paper briefly discusses the role of these characteristics in recognising depicted objects, in defining their form and spatial orientation from the perspective of art traditions and historical development of art.

General Information

Keywords: art, picture recognition, typical contours

Journal rubric: Psychology of Art

Article type: scientific article

For citation: Deregovski J.B. On the Perception and Depiction of Three Essential Characteristics of Objects. Kul'turno-istoricheskaya psikhologiya = Cultural-Historical Psychology, 2008. Vol. 4, no. 1, pp. 83–94. (In Russ., аbstr. in Engl.)

References

  1. Akimuskin A.F. & Ivanov A.A. (1968). Persidckie Miniatury, 14-16 cc. Moscow, Nauka.
  2. Alpatov M. (1990). Theophanes the Greek. Moscow, Izobrazitelnoye Iskusstvo.
  3. Baldy R., Chatillon J.F. and Cadopi M. (1993). Dessin plan, dessin en perspective: Etude des effets de transfert chezdes adultes debutants // Bessot, A. & Verillon Espaces Graphiques et Graphrimes d'Espaces. La Pensee Sauvage, Paris.
  4. Barley N. (1986). The innocent anthropologist. London, Penguin Books.
  5. Bartel K. (1960). Perspektywa Malarska. Wasrsaw, P.W.N.
  6. Beach H.P. (1901). Geography and atlas of protestant missions. New York, Student Volunteer Movement for Foreign Missions.
  7. Bern C., Herzog H.A. Jr. (1994). Stimulus control of defensive behaviours of garter snakes (Thamnophis sirtalis): Effects of eyespots and movement // Journal of Comparative Psychology, 108, 353-357.
  8. Chaloupka G. (1984). From paleoart to casual painting.Darwin, Northern Territory Museum of Arts and Sciences.
  9. Coren S. & Girgus J.S. (1978). Seeing is Deceiving: The Psychology of Visual Illusions. Hillsdale, Lawrence Erlbaum Associates.
  10. Deppe C., Holt D., Tweksbury J., Broberg L., Petersen J.,Wood K. (2003). Effect of Northern Pygmy Owl (Glaucidium gnoma) eyespots on avian mobbing // The Auk, 120, 765 - 771.
  11. Deregowski J.B. (1976a). Implicitshape constancy as a factor in pictorial perception // British Journal of Psychology, 67, 23-29.
  12. Deregowski J.B. (1976b). Implicitshape constancy: A crosscultural comparison // Perception, 5, 343-348.
  13. Deregowski J.B. (1984). Distortion in art, the eye and the mind. London, Routledge & Kegan Paul.
  14. Deregowski J.B. (1989a). Real space and represented space: Crosscultural perspectives // Behavioral and Brain Sciences, 12, 51-74 & 98-119.
  15. Deregowski J.B. (1989b). Geometric restitution of perspective: Bartel's method // Perception, 18, 595-600.
  16. Deregowski J.B. (1990). On two distinct and quintes sential kinds of pictorial representation. In K. Landwehr, (ed.) Ecological perception research, visual communication, and aesthetics. Berlin, Springer Verlag.
  17. Deregowski J.B. (1991). Intercultural search for the origins of perspective // Contemporary Issues in Crosscultural Psychology. N. Bleichrodt & P.J.D. Drenth (eds) Amsterdam,Swets & Zeitlinger.
  18. Deregowski J.B. (1999). Pictorial perception; individual and group differences // Cahiers de psychologie cognitive, 18, 1031-1061.
  19. Deregowski J.B. (2005). Perception and the ways of drawing. Why animals are easier to draw than people //T. Heyd & J. Clegg (eds) Aesthetics and Rock Art. London, Ashgate Publishing.
  20. Deregowski J.B. & Jahoda G. (1975). Efficacy of objects, pictures and words in a simple learning task //International Journal of Psychology, 10, 19-25.
  21. Deregowski J.B. & Parker D.M. (1988). On the changing perspective illusion within Vermeer's "The Music Lesson" // Perception, 17, 13-21.
  22. Deregowski J.B. & Parker D.M. (1992a). Threespace inference from twospace stimulation // Perception and Psychophysics, 51, 397-403.
  23. Deregowski J.B. & Parker D.M. (1992b). Convergent perspective and divergent perspective // Perception, 21, 441-447.
  24. Deregowski J.B. & Serpell R. (1971). Performance on a sorting task: A crosscultural experiment // International Journal of Psychology, 6, 273-281.
  25. Deregowski J.B., Muldrow E.S., & Muldrow W.F. (1972). Pictorial recognition in a remote Ethiopian population //Perception, 1, 417-425.
  26. Deregowski J.B., Parker D.M. & Massironi M. (1994).Perception of spatial structure with oblique viewing: an explanation of Byzantine perspective // Perception, 23, 5-13.
  27. Deregowski J.B., Shepherd J.W. & Slaven G.A. (1997).Sex differences on Bartel's task: An investigation into perception of real and depicted distances // British Journal of Psychology, 88, 637-651.
  28. Dziurawiec S. & Deregowski J.B. (1992). Twisted perspective in young children's drawings // British Journal of Developmental Psychology, 10, 35-49.
  29. Dziurawiec S. & Deregowski J.B. (2007). The perceptual effect of eyespots: Or the devil may seem closer than she really is // Australian Journal of Psychology, 59, 101-107.
  30. Forge A. (1970). Learning to see in New Guinea //P. Mayer, ed. Socialization. London, Tavistock.
  31. Gibson J.J. (1950). The Perception of Visual World. Boston, Houghton Mifflin.
  32. Gombrich E.H. (1962). Art and Illusion: a Study in the Psychology of Pictorial Representation. London, Phaidon.
  33. Gregory R.L. (1970). The Intelligent Eye. New York, McGrawHill.
  34. Gregory R.L. (1973). The confounded eye // In R.L. Gregory & E.H. Gombrich (eds) Illusion in nature and art. London, Duckworth.
  35. Halloran T.O. (1989). Picture perception is array specific: Viewing angle versus apparent orientation // Perception and Psychophysics, 45, 467-482.
  36. Halverson J. (1995). Information and typicality //Rock Art Research, 12, 14-15.
  37. Herskovits M.J. (1948). Man and his works. New York, Knopf.
  38. Klapper Z.S. & Birch H.G. (1969). Perceptual and action equivalence of photographs in children // Perceptual and Motor Skills, 29, 763-771.
  39. Livingstone D. (1857). Missionary travels and researches in South Africa. London, Murray.
  40. Lloyd A.B. (1904). Acholi country, Part II // Uganda Notes, 5, 18-22.
  41. Mazurczak U.M. (1992). Motywy inspiracji w sredniowiecznych wizerunkach Ewangielistow. Lublin, K.U.L.
  42. Osborne H. ed. (1981). The Oxford companion to art. Oxford, Oxford University Press.
  43. Pirenne M.H. (1970). Optics, Painting, Photography. London, Cambridge University Press.
  44. Rey A. (1941). L'examen psychologique dans les cas d'encephalopatic traumatique // Archives de Psychologie, 28,286-340.
  45. Segall M.H., Campbell D.T. & Herskovits J.M. (1966). Influence of culture on visual perception. Indianapolis, Bobbs Merrill.
  46. Serpell R. & Deregowski J.B. (1980). The skill of pictorial perception: An interpretation of crosscultural evidence //International Journal of Psychology, 15, 145-180.
  47. Sigel I.E. (1978). The development of pictorial comprehension. In B.S. Randhawa & W.E. Coffman (eds) Visual learning, thinking and communication. New York, Academic Press.
  48. Stevens M. (2005). The role of eyespots as antipreda tor mechanisms, principally demonstrated in the Lepidoptera // Biological Review, 80, 573-588.
  49. Swinton M.H. (1929). Ancient Painting. New Haven,Yale University Press.
  50. Thomson D.C. (1902). The Barbizon School of Painters Corot, Rousseau, Diaz, Millet, Danbigny. London, Chapman & Hall.

Information About the Authors

Jan B. Deregovski, PhD, Professor, Department of Psychology, University of Aberdeen,, Scotland

Metrics

Views

Total: 6167
Previous month: 33
Current month: 5

Downloads

Total: 956
Previous month: 4
Current month: 0