Recognition of the Emotional Content of Music Depending on the Characteristics of the Musical Material and Experience of Students

1076

Abstract

We studied the effect of the factors affecting the recognition of the emotional content of the music. We tested hypotheses about the influence of the valence of the music, ethnic style and the listening experience on the success of music recognition. The empirical study involved 26 Russian musicians (average age of 25,7 years). For the study of musical perception we used bipolar semantic differential. We revealed that the valence of music material affects the recognition of the emotional content of music, and the ethno style does not. It was found that senior students recognize the emotional context of the music more effectively. The results show the universal nature of emotional and musical ear, equally successfully recognizing music of different ethnic style, as well as support the notion of higher significance of negative valence of emotional content in the process of musical perception. A study of factors influencing the emotional understanding of music is important for the development of models of emotion recognition, theoretical constructs of emotional intelligence, and for the theory and practice of music education.

General Information

Keywords: emotional content of music, music emotion recognition, emotion valence, ethnic style, listening experience

Journal rubric: Developmental Psychology

Article type: scientific article

DOI: https://doi.org/10.17759/psyedu.2014060404

For citation: Knyazeva T.S., Toropova A.V. Recognition of the Emotional Content of Music Depending on the Characteristics of the Musical Material and Experience of Students [Elektronnyi resurs]. Psikhologicheskaya nauka i obrazovanie psyedu.ru [Psychological Science and Education psyedu.ru], 2014. Vol. 6, no. 4, pp. 33–45. DOI: 10.17759/psyedu.2014060404. (In Russ., аbstr. in Engl.)

References

  1. Knyazeva T.S. Vliyanie znaka valentnosti muzyki na uspeshnost' raspoznavaniya muzykal'no-emotsional'nogo konteksta [Effect of music valence on the recognition success of musical and emotional context]. In Dorfman L.Ya. (eds.)Psikhologiya tvorchestva: Tezisy dokladov Vserossiiskoi nauchnoi konferentsii (27-29 sentyabrya 2010 g, Perm') [The psychology of creativity: Abstracts of the Scientific Conference]. Perm': Permskii gos. in-t iskusstva i kul'tury. Moscow: Institut psikhologii RAN, 2010, pp. 258–259.
  2. Knyazeva T.S. Vliyanie lichnostnykh osobennostei i professional'noi kompetentnosti na vospriyatie muzyki [Influence of personal characteristics and of professional competence on the perception of music]. Materialy Desiyatuh Mezhdunarodnykh chtenii pamyati L.S. Vygotskogo "Kamen', kotoryi prezreli stroiteli. Kul'turno-istoricheskaya teoriya i sotsial'nye praktiki" (Moscow, 17 – 20 noyabrya 2009 g.)[Proceedings of the Tenth International Readings memory LS Vygotsky "The stone which the builders despised. Cultural-historical theory and social practice "]. Moscow: Rossiiskii gosudarstvennyi gumanitarnyi universitet, 2009, pp.156–157.
  3. 3.Toropova A.V., Knyazeva T.S. Ob"ektivnye i sub"ektivnye faktory raspoznavaniya emotsional'nogo soderzhaniya muzyki [Objective and subjective factors in the recognition of the emotional content of music]. Vestnik kafedry YuNESKO "Muzykal'noe iskusstvo i obrazovanie" [Bulletin of the UNESCO Chair "Musical Art and Education"], 2013, no. 2, pp. 43–49.
  4. Argstatter H., Wilker F.-W., Mohn C. Perception of six basic emotions in music. Psychology of Music, 2011. Vol. 39. Issue: 4, pp. 503–517.
  5. Bazanova O.M., Mernaya E.M. Alpha-activity fluctuations in various hormonal states and associated with them musical performance proved differently in the opposite individual alpha peak frequency groups. Revista Espanola de Neuropsicologia. Proceedings of the 2nd meeting for Society for Applied Neuroscience (SAN). Seville. 2008, no. 10:1, pp. 100–101.
  6. Dellacherie D., Hugueville R.L., Peretz I., Samson S. The effect of musical experience on emotional self-reports and psychophysiological responses to dissonance. Psychophysiology, 2010, no. 48(3), pp. 337–349. doi: 10.1111/j.1469-8986.2010.01075.x.
  7. Esposito A., Riviello M.T., Bourbakis N. Cultural Specific Effects on the Recognition of Basic Emotions: A Study on Italian Subjects. USAB, 2009. Vol. 5889, pp. 135–148.
  8. Fornari J., Eerola T. The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors. Computer Music Modeling and Retrieval Genesis of Mearning in Sound and Music, 2009. Vol. 5493, pp. 119–133
  9. Fritz T., Jentschke S., Gosselin T., Sammler D., Peretz I., Turner R. Universal recognition of tree basic emotions in music. Current biology: CB, 2009. Vol.19. Issue: 7, pp. 573–576.
  10. Fucci D., Petrosino L., Banks M., Zaums K. The effect for preference for three differenttypesof music on magnitude estimation – scaling behavior in young adults. Discourse Processes,1996, no.13, pp. 339–337.
  11. Gordon R.L., Magne C.L., Large E.W. EEG Correlates of Song Prosody: A New Look at the Relationship between Linguistic and Musical Rhythm. Front. Psychol, 2011, no. 2, p. 352. doi: 10.3389/fpsyg.2011.00352.
  12. Huron D. Sweet Anticipation: Music and the Psychology of Expectation. Reviewed by Marcus T. Pearce and Daniel Mullensiefen, Centre for Cognition, Computation and Culture, Goldsmiths, University of London. Cambridge, MA: MIT Press, 2006. 462 p.
  13. Juslin P. N., Timmers R. Expression and communication of emotion in music performance. In Juslin P.N. (eds.) Handbook of music and emotion: Theory, research, applications. N. Y.: Oxford University Press. 2010, pp. 453–489.
  14. Klineberg О. Еmotional expression in Chinese literature. J. of Abnormal and Social Psychology. Oct. 1938. Vol. 33(4), pp 517–520. doi: 10.1037/h0057105
  15. Koelsch S., Fritz T., Schlaug G. Amygdala activity can be modulated by unexpected chord functions during music listening. NeuroReport, 2008, no.19(18), pp. 1815–1819. doi: 10.1097/WNR.0b013e32831a8722.
  16. Laroi F., Fonteneau B., Mourad H., Raballo A. Basic emotion recognition and psychopathology in schizophrenia. J. Nerv Ment Dis., 2010; Jan. 198(1), pp.79-81. doi: 10.1097/NMD.0b013e3181c84cb0.
  17. Menon V., Levitin D.J. The rewards of music listening: response and physiological connectivity of the mesolimbic system. NeuroImage, 2005, no. 28(1), pp. 175–184.
  18. Mikutta Ch., Altorfer A., Strik W., Koenig T. Emotions, Arousal, and Frontal Alpha Rhythm Asymmetry During Beethoven’s 5th Symphony. Brain Topogr., 2012, n.o 25, pp. 423–430. doi: 10.1007/s10548-012-0227-0.
  19. Moghimi S., Kushiki A., Guerguerian A.M., Chau T. Characterizing emotional response to music in the prefrontal cortex using near infrared spectroscopy. Neurosci. Lett. , 2012, no. 525 (1), pp. 7–11. doi: 10.1016/j.neulet.2012.07.009.
  20. Monaghan P., Metcalfe N.B., Ruxton G.D. A psevdo-savant: A case of exceptional musical splinter skills . Nature, 1998. Vol. 394 (6692). 434 p.
  21. Patel A.D. Language, music, syntax and the brain. Nat Neurosci., 2003, no. 6(7), pp. 674–681.

Information About the Authors

T. S. Knyazeva, PhD in Psychology, Senior researcher, The laboratory of psychology and psychophysiology of creative activity, Institute of Psychology of the Russian Academy of Sciences, Moscow, Russia, e-mail: tknyazeva@inbox.ru

A. V. Toropova, Doctor of Education, Doctor of Pedagogical Sciences, Professor of the Department of Methodology and Technology of Pedagogy of Music Education, Moscow State Pedagogical University, Leading Researcher of the Laboratory of Differential Psychology and Psychophysiology, RAO Psychological Institute (FGNU PI RAO), Moscow, Russia, e-mail: allatoropova@list.ru

Metrics

Views

Total: 2650
Previous month: 26
Current month: 11

Downloads

Total: 1076
Previous month: 4
Current month: 2